Japanese in Karate

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This section is by no means complete. Any errors are entirely our fault. We may mangle the Japanese language to some degree and we apologize in advance. Comments, corrections, and contributions are always welcome.


The Japanese Language

Written Japanese comes in three kinds:

  • KANJI: Ideographs and Chinese characters conveying whole ideas.
  • KANA: Phonetic syllabry. There are two kinds of Kana:
    • HIRAGANA: Curvalinear symbols.
    • KATAKANA: Linear symbols. Often used for foreign words.
  • ROMAJI: Kanji and Kana transliterated into Roman letters.

There are several systems of transliterating Japanses characters into Roman characters. In this site we shall use a modified Hepburn system. Japanese syllables are the free standing vowels, the free standing N, and consonants combined with vowels. Each syllable is stressed equally.

Most Japanese vowels are short vowels. The occassional long vowel is equivalent to two continuous short vowels and is usually represented with an overscored letter. Overscored letters are not cross platform, so we shall just assume them, e.g. "Kyoto" is assumed to have overscores on the o's.

a i u e o
Ah, we soon get old.
fAther Ink flUte End Oatmeal

You may also consider consulting these Japanese <-> English Dictionaries:


Body Parts

atama
head
kao
face
kubi
necks
hofu
collarbones
kata
shoulder
wanjun
dorsal surface of the upper arm, the fold between the biceps and triceps
empi
elbow (aka hiji)
hikuzume
lateral surface of the elbow (aka chukitsu)
ude
arm, esp forearm (aka wan: arm) (aka wanto: sword arm) (aka shubo: stick arm) (aka zenwan: forearm) (aka maeude: forearm)
tekubi
wrist (aka koken)
uchi shakautaku
palm side of the wrist
soto shakutaku
dorsal surface of the wrist, the back hand side
naiwan
inner side of arm (as viewed palm up), pinkyulna side
gaiwan
outer side of arm, thumb radius side
haiwan
lower side of arm, back side
shuwan
upper side of arm, palm side
te
hand
hiki te
withdrawing hand
yubi
finger
sho
palm
ko
back of hand
shuko
back of the hand, either muscle or bone
ken
closed fist
seiken
fore fist
uraken
back fist
kentsui
hammer fist (aka shutsui: hammer hand) (aka tettsui: iron hammer)
ippon ken
index finger knuckle fist
nakadaka ken
middle finger knuckle fist
hiraken
fore knuckle fist
kaisho
open hand (aka hiraku te)
shuto
sword hand, knife hand
haito
ridge hand
haishu
back hand
nukite
spear hand (aka shihon nukite: four-finger spear hand)
ippon
nukite one-finger spear hand
nihon
nukite two-finger spear hand
teisho
heel of the palm
seiryuto
ox jaw hand
kumade
bear hand
washide
eagle hand
keito
chicken head wrist
kakuto
bent wrist
koku
tiger mouth
mune
chest
waki
armpits
chichi
nipple
hara
mid-section; stomach; the large area extending from the bottom of the pelvis to just beneath the rib cage
koshi
hips, sides
kafabuku
abdomen
tanden
the center of gravity in the lower abdomen (aka tan tien)
seika-tanden
physical, spiritual, and emotional center
sokumen
side (aka gawa)
ashi
leg and foot
soku
foot
ashikubi
ankle
koshi
ball of the foot (aka chusoku) (aka josokutei: raised sole)
teisoku
sole of the foot (aka haisoku)
sokuto
sword foot, outer edge
kakato
bottom of the heel (aka ensho: round heel)
ushiro kakato
back of the heel
haisoku
instep (aka ashiko)
tsumasaki
toe tips
shittsui
hammer knee (aka hizagashira: knee cap) (aka hiza: knee)
momo
thigh
atemi
the body, esp. the vital points (aka kyu sho) (aka jintai kyusho) (aka kyusho)
kansetsu
joint
jodan
neck and above
hitai
forehead
tendo
coronal suture at the top of the skull
tento
region between the tendo and the hitai
kasumi
temple
seidon
circumorbital region, above and below the eye
gansei
eyeball
uto
glabella, the space between the eyes
jinchu
midline of upper lip
gekon
just below the lower lip
miazuki
mandible base, the lower ridge of the jaw (aka ago)
kakon
chin
mimi
ear
dokko
concavity behind the ear, near the jaw
kube
neck
matsukaze
side of the neck
murasame
spraclavicular fossa, the sides of the throat just above the collar bone
hichu
suprasternal notch, the bottom center of the throat
keichu
the third intervertebral space at the back of the neck
chudan
neck to navel
tanchu
sternal angle, mid sternum, between the hichu and the suigetsu
kyosen
xiphoid process, lowest part of the sternum
suigetsu
solar plexus, concavity just below the sternum
myojo
just below the umbilicus (aka tanden)
kyoei
fourth intercostal space, below the armpits
ganka
below the nipples, between the fifth and sixth ribs
denko
hyppochondriac region, the seventh intercostal space, lower ribs, affecting the liver on the right, the spleen on the left
inazuma
lumbar region, the eleventh intercostal space, the bottom of the rib cage
hayauchi
middle of the scapular ridges, the inner shoulder blades at the level of the third intercostal ridge
kassatsu
space between the fifth and sixth throraic vertebrae, just below hayauchi
ushiro denko
the sides of the ninth and eleventh vertebrae, the kidneys (aka shakkatsu denko)
bitei
tip of the spine
gedan
navel to knees
kinteki
testicles
yako
inguinal region, the inner region of the upper thigh
fukuto
lateral part of the middle lower thigh
ushiro inazuma
gluteal fold, where the hamstrings join the buttocks
kusanagi
lower part of the soleus muscle, the inner lower calf muscle
hiza shita
knees and below
naike
meial malleolus, just below the inside surface of the ankle (aka uchikurubushi) (aka uchikurobushi)
kori
instep, slightly on the inside
soin
instep, slightly on the outside (aka kusagakure)
kokotsu
middle fibula, the shins (aka mukozune

Dynamics

kihon
basics, fundamental practice
katachi
form, refers to technique execution
ryoku
techniques focused and supported bodily
waza
techniques (aka jutsu)
oi
non-reverse form
gyaku
reverse form
ura
opposite directiction
joho
upward (aka tate)
otoshi
downward
naiho
inward
gaiho
outward
mawashi
circling or roundhouse
kizami
leading side technique
sassai
supported, augmented
kime
decisive
henka
changing
renzoku
alternating
renraku
combination
dan
continuous
morote
double
sutemi
last-chance
ate
smashing
tsukami yose
grasping-pulling
harau
parrying
kensai
feinting
tokui
favorite
tobi
jumping
kuzushi
unbalancing the opponent
nage
throwing
tachi
hip and hand techniques from standing up
sutemi
body-drop techniques using one's own weight while oneself is falling
katame
grappling, wrestling, holding, and locking (aka kumiuchi) (aka ne: lying down techniques)
osae
holding (aka osaekomi)
shime
strangling
hataka jime
naked strangles (aka hadaka jime)
juji jime
cross strangles with lapel
okuri eri jime
sliding lapel strangles
kansetsu
joint locking
kake
tripping
sori te
throwing over
hineri te
twisting
maki
snaking-swirling-wrapping
ukemi
falling, receiving a blow
atemi
vital point striking
kingeri
groin kicks
kyodo
movement
hayaku
move with speed
otoshmi
falling
tobi
jumping
hineri
twist
kaiten
turn (aka mawatte)
mawatte
turn around
koshi no kaiten
hip rotation
jun kaiten
regular rotation, technique and rotation are in the same direction
gyaku kaiten
reverse rotation, technique and rotation are in the opposite direction
sabaki
controlled body motion
tai sabaki
strategic body movement
kokeru koto
evasions
tenshin
body shifting
hoko
walking
unsoku
fundamental leg movements
soku waza
foot work
deai ashi
stepping in like regular walking (aka ayumi ashi) (aka aruki)
jiku ashi
pivot leg
do kyaku
moving leg
fumi dashi
stepping in gliding
fumi komi
stepping in rising and stomping
okuri ashi
stepping in with the lead foot, then bringing the rear foot close behind
tobikomi ashi
leaping shifting, like okuri ashi, but in just one big leap
yori ashi
stepping in with both feet moving the same distance at the same time, sliding the feet
suri ashi
stepping in part of the way with the rear foot, then continuing with the other foot
tsugi ashi
like suri ashi but stepping in just past halfway
nasumi ashi
stealing foot movement, moving or changing direction without showing it (aka nusumi ashi)
kawashi
switching feet
nagashi ashi
flowing foot, usually 45 degrees.
mae ashi
front foot only
ura ashi
rear foot only
dachi ashi
neither foot moving
hiraki ashi
side shifting
nige ashi
escape by shifting stance
suberikomi
sliding in and dropping
mawarikomi
circling with moving leg
irimi
sudden movement into the opponent's blind side
keri nuke
movement to the opponent's back side

Stances

dachi
stances, position of the lower body (aka tachikata)
shizen tai
natural position stances group, no knee tension
heisoku dachi
semi-formal attention stance, heels and toes together
musubi dachi
semi-formal attention stance, heels together and toes apart
heiko dachi
feet shoulder width, feet parallel
hachinoji dachi
feet shoulder width, toes out (aka hachiji dachi) (aka shizen tai)
uchi hachinoji dachi
feet shoulder width, toes in (aka uchi hachiji dachi)
teiji dachi
T stance
renoji dachi
L stance
kihon dachi
basic stances
kiba burui
outer knee tension stances group
kiba dachi
horse stance
zenkutsu dachi
front stance
kokutsu dachi
back stance
fudo dachi
rooted stance (aka sochin dachi: sochin stance)
shiko dachi
square stance
kosa dachi
crossed feet stance
hangetsu burui
inner knee tension stances group
hangetsu dachi
half moon stance
sanchin dachi
hourglass stance
neko ashi dachi
cat leg stance
sagi ashi dachi
heron leg stance (aka ippon ashi dachi: one-legged stance)
ashi orishiku dachi
down on one knee stance, rifleman stance (aka iaigoshi dachi: kneeling stance)
kumite dachi
sparring stances (higher and freer variations of each of the above) (aka ju dachi)
kamae
posture; position; refers to entire body (aka shisei)
kamakata
posture; position; refers to upper body
kamaeru
to take a posture
muki
facing
shomen
front facing (aka mae) (aka zempo)
migi yoko
right side
hidari yoko
left side
naname
diagonally (aka kesa)
hanmi
half sideways facing
mae hanmi
front facing
gyaku hanmi
reverse half sideways facing
ushiro
rear (aka koho)
shita
down
fuse no shisei
go to the ground position
manji kamae
facing the side with a gedan barai while the rear hand is in jodan uchi uke
sono mama
as it is

Defense

te ude uke waza
hand and forearm blocking techniques
sekiwan uke
one handed blocks
ryowan uke
two handed blocks (aka morote)
kaiten uke
wheel block
sukui uke
scooping block
kake te
hooking block
hiki te
pulling in block
harai te
sweeping block
kakae te
trapping block
kakiwake
opening block
jodan uke
upper body blocks
joho uke
down to up blocks
age uke
rising block
kakuto uke
bent wrist block
keito uke
chicken head wrist block
age teisho uke
rising palm heel block
shuto juji uke
sword hand x block, haiwan side
naiho uke
out to in blocks
soto ude uke
inward forearm block
mawashi teisho uke
roundhouse palm heel block
te nagashi uke
sweeping hand block
mawashi keito uke
roundhouse chicken head wrist block
morote tsukami uke
two handed grasping block
gaiho uke
in to out blocks
uchi ude uke
outward forearm block
shuto uke
sword hand block
kake shuto uke
hooking sword hand block
tate shuto uke
vertical sword hand block
haishu uke
back hand block
gaiwan nagashi uke
sweeping outside of forearm block(1:00)
haiwan nagashi uke
sweeping back of forearm block (2:00)
naiwan nagashi uke
sweeping inside of forearm block (3:00)
morote uke
augmented forearm block
sokumen awase uke
two handed side block
chudan uke
middle body blocks
otoshi uke
up to down blocks
otoshi ude uke
downward forearm block
maeude deai osae uke
pressing forearm block
otoshi teisho uke
downward palm heel block
te osae uke
pressing hand block
seiryuto uke
ox jaw block
tekubi kake uke
hooking wrist block
naiho uke
out to in blocks
soto ude uke
inward forearm block (aka soto uke)
mawashi teisho uke
roundhouse palm heel block
te nagashi uke
sweeping hand block
morote tsukami uke
two-handed grasping block
mawashi empi uke
roundhouse elbow block
gaiho uke
in to out blocks
uchi ude uke
outward forearm block (aka uchi uke)
shuto uke
sword hand block, knife hand block
tate shuto uke
vertical sword hand block
kake shuto uke
hooking sword hand block
haishu uke
back hand block
kakuto uke
bent wrist block
keito uke
chicken head wrist block
morote uke
augmented forearm block
haito uke
outward ridge hand block
bassai uke
bassai block
kakiwake uke
wedge block, palms down
gyaku kakiwake uke
reverse wedge block, palms up
gedan uke
lower body blocks
otoshi uke
up to down blocks
otoshi teisho uke
downward palm heel block
otoshi seiryuto uke
downward ox jaw block
ken juji uke
fist x block
teisho awase uke
combined palm heel block
naiho uke
out to in block
gaiwan gedan uke
downward outside-forearm block
soto shuto uke
inward sword hand block
soto sukui uke
inward scooping block
morote sukui uke
scooping two-handed block
gaiho uke
in to out block
gedan barai
downward forearm block
uchi shuto uke
outward sword hand block
tekubi kake uke
hooking wrist block
soto sukui uke
outward scooping block
ashi uke waza
leg blocking techniques
gedan ashi uke
lower leg blocks
soto ashibo kake uke
inward hooking leg block
uchi ashibo kake uke
outward hooking leg block
kakato uke
heel blocks
gyaku mawashi otoshi kakato uke
reverse roundhouse downward heel block
mawashi otoshi kakato uke
roundhouse downward heel block
ashi uke
foot blocks
sokuto gyaku mawashi uke
reverse roundhouse sword foot block
teisoku mawashi uke
roundhouse sole-foot block
nami gaeshi
inside snapping foot block

Offense

tsuki waza
punching techniques
tsuki
one handed punches (aka zuki)
choku zuki
punch from shizen tai (aka jun zuki)
oi zuki
punch from kihon dachi with the same leg forward
gyaku zuki
punch from kihon dachi with the opposite leg forward
tate zuki
vertical fist punch
kizami zuki
punch with lead hand, jab (aka mae ken zuki)
age zuki
rising punch
mawashi zuki
roundhouse punch
kagi zuki
hook punch
ura zuki
close punch (aka shita zuki)
furi zuki
punch between mawashi and choku. It is swung from arm hanging down with a twist of the hips.
nagashi zuki
flowing punch while moving 45 degrees
ren zuki
alternate hands punching
dan zuki
consecutive punching with the same hand.
morote zuki
two handed punches
yama zuki
wide u punch, mountain punch
awase suki
u punch
heiko zuki
parallel punch
hasami suki
scissors punch
uchi waza
striking techniques
koshubi uchi
fist strikes
otoshi uraken uchi
downward back fist strike
uchi uraken uchi
outward back fist strike
soto kentsui uchi
inward hammer fist strike
uchi kentsui uchi
outward hammer fist strike
otoshi kentsui uchi
downward hammer fist strike
kentsui hasami uchi
double hammer fist strike
kaisho uchi
open hand strikes
otoshi shuto uchi
downward sword hand strike
soto shuto uchi
inward sword hand strike
uchi shuto uchi
outward sword hand strike
soto haito uch
inward ridge hand strike
uchi haito uchi
outward ridge hand strike
age teisho uchi
rising palm heel strike
soto teisho uchi
inward palm heel strike
hiji uchi
elbow strikes
mae empi uchi
forward elbow strike
ushiro empi uchi
back elbow strike
yoko empi uchi
side elbow strike
tate empi uchi
upward elbow strike
otoshi empi uchi
downward elbow strike
yoko mawashi empi uchi
side roundhouse empi uchi
keri waza
kicking techniques
zenpo geri
front kicks
mae geri kekomi
front thrust kick
mae geri keage
front snap kick (aka maegeri)
mikazuki geri
crescent kick
mawashi geri
roundhouse kick
gyaku mawashi geri
reverse roundhouse kick
ura mawashi geri
inverted roundhouse kick
mae shittsui geri
front knee kick
mawashi shittsui geri
roundhouse knee kick
gyaku mawashi shittsui geri
reverse roundhouse knee kick
sokumen geri
side kicks
yoko geri keage (aka yoko keage)
side snap kick
yoko geri kekomi (aka yoko kekomi)
side thrust kick
fumikiri geri
cutting kick
fumikomi geri
stamping kick
yoko mawashi geri
side roundhouse kick, i.e. with heel
koho geri
back kicks
ushiro geri kekomi
back thrust kick (aka ushiro geri)
ushiro geri keage
back snap kick
ushiro mawashi geri
back roundhouse kick
ashi barai waza
leg sweeping techniques
deai ashi barai
sweeping the advanced foot
teisoku ashi barai
sole leg sweep
sokuto ashi barai
sword leg sweep
ushiro kakato ashi barai
back of the heel legsweep
soto kakato ashi barai
side heel leg sweep
kani basami barai
crab claws sweep

Formal Exercises

kata
formal exercises
kihon kata
basic kata
shitei kata
standardized kata
tokui kata
choice kata
tanren kata
advanced kata (aka kaite kata)
shorin
lighter and longer
shorei
heavier and shorter
yoi
readiness
hajime
begin
Heian:
"Peaceful," shorin types
Heian Shodan:
introductory: basic blocks (upper, middle, and lower), basic attacks (straight punch and downward hammer fist), basic shifting (straight, 45°, 90°, 180°, and 270°), 21 moves.
Heian Nidan
combinations, 26 moves.
Heian Sandan
settling in, relaxing arms, 20 moves.
Heian Yondan
more circular moves, 27 moves.
Heian Godan
summary, 23 moves.
Tekki
"Iron Horse," sideways movements, extensive use of kiba-dachi, shorei types (aka naifanchi) (aka naihanchi).
Tekki Shodan
introductory, 29 moves.
Tekki Nidan
timing, 24 moves.
Tekki Sandan
fast hands, 36 moves.
Bassai Dai
"Penetrating A Fortress," quick changing techniques, shorin type, 42 moves.
Kanku Dai
"Gazing Skyward," large variety of moves, shorin type, 65 moves, (aka Koshokun Dai) (aka Kwanku).
Jitte
"Ten Hands," strong, lots of hips, shorei type, 24 moves (aka Jutte).
Hangetsu
"Crescent Moon," much breathing, changes of speed, shorei type, 41 moves, (aka Sei San) (aka Seishan).
Empi
"Flying Swallow," shorin type, 37 moves, (aka Wan Shu).
Gankaku
"Crane On A Rock," balance, linear, shorin type, 42 moves (aka Chinto).
Jion
named after a temple, varied, shorin type, 47 moves.
Bassai Sho
as before but more open hands and internal, shorin type, 27 moves.
Kanku Sho
as before but hands are closer, shorin type, 47 moves (aka Kushanku).
Chintei
"Curious Hands," shorin type, 33 moves (aka Shoin).
Unsu
"Hands In The Clouds," constantly changing and risky techniques, shorin type, 48 moves.
Sochin
extensive use of fudo-dachi, shorei type, 40 moves (aka Hakko).
Nijushiho
"Twenty-Four Steps," meditative and tricky, shorin type, 33 moves, (aka Niseishi).
Gojushiho Sho
"Fifty-Four Steps," ponderous, shorin type, 65 moves (aka Useshi) (aka Hotaku).
Gojushiho Dai
as before but with ippon nukite and chudan waza, shorin type, 62 moves (aka Useshi) (aka Hotaku).
Meikyo
"Bright Situation," "Perfect Mirror," subtle and smooth, shorin type, 32 moves (aka Rohai).
Wankan
powerful and short, shorei type, 24 moves (aka Shiotu Hito).
Jiin
like Jion, shorin type, 35 moves.
taido
deportment, demonstrating spirited etiquette and zanshin
shisei
position and posture of the body
tachi
kata stance
kihon waza
basic techniques
chikara kyojaku
correct application of power
waza no kamkyu
speed of techniques
karada no shin shuku
body expansion and contraction, as well as tension, relaxation, and flexability
embusen
performance line of kata, path traced on floor, including starting and ending in the same spot
unkoku
body movement, rhythm and fluidity
waza no imi
interpretation, meaning and demonstrating it
renzoku-sei
continuity, unity
bunkai
application of kata
naore
return to yoi
yame
finished

Sparring

kumite
sparring
kihon kumite
basic sparring (aka yakusoku kumite)
ippon kumite
one-step sparring
sambon kumite
three-step sparring
gohon kumite
five-step sparring
jiyu ippon kumite
semi-free sparring
nandemo kumite
sparring with the attack(s) unspecified
jiyu kumite
free sparring
jitsuen kumite
pre-arranged sparring, e.g. demonstrations
jissen kumite
actual fighting (aka jissai no kumite)
shinken shobu
fights to the death
shobu
competition
shiai
contest
soatari shia
round robin, for less than 7 contestants
koten shia
big point
kachinuki shia
winner continue
tentori shia
single elimination
sun
3 cm
sun dome
arresting technique just before contact
shen shu
player (aka senshu)
aite
opponent
kogeki
to attack
mamoru
to defend
tori
attacker
uke
defender
aka
red (aka haka)
shiro
white
shinpan
referee (aka shushin) (aka gyoji)
shimpan cho
chief referee
kansa
arbitrator
yobidashi
announcer
hajime
begin
shomen-ni rei
bow to front
naka ai
enter ring
otrogani rei
bow to judges and to each other
yoi
readiness (aka junbi)
shobu ippon hajime
"one-point sparring, begin!" Referee: stands
shobu sambon hajime
"three-point sparring, begin!" Referee: stands
tsuzukete hajime
begin again. Referee: from zenkutsu dachi, draws hands from wide apart to palms together in front.
atoshibaraku
30 sec till the end of the match
moto no ichi
contestant(s) return to starting positions
yame
stop, temporarily. Referee: drops vertical hand from above head to forward, between opponents.
jikan
time out
fukushin shugo
judges' conference. Referee: from hands extended sideways and palms up, to bent elbows with palms facing head.
toranai
no point. Referee: criss-crosses lowered hands, palms down. (aka torimasen)
taiming ga osoi
timing is off. Referee: from one hand palm forward and one shoulder width to the side of the same shoulder, through a circular motion starting upward and inward, with the hand finishing two shoulder widths to the side of the same shoulder.
maai ga tooi
not proper distance. Referee: from hands at waist level and palms facing each other, to a wider position.
nukete iru
out of target. Referee: fist passing back and forth alongside head or body.
ukete iru
blocked. Referee: with elbows close to body, one hands slaps onto forearm of other arm whose hand is in a fist.
yowai
weak focus. Referee: one hand forward, palm down, dropping.
aiuchi
clash. Referee: knuckles of fists meeting together in front of stomach. Judge: tops of flags together and horizontal.
jogai
out of ring, the first offense is a caution, the second is a warning, the third is a foul. Judge: blows whistle and taps flag to floor.
fujubun
not enough power. Judge: criss-crosses lowered flags.
mienai
could not see. Judge: places flags in front of eyes in an "x" shape.
attate iru
contact; may be nothing, a warning, or a foul. Referee: smacks fist into palm.
chui
warning. Counts as a negative yuko. Referee: points finger at offender's knees. Judge: swings flag of offender in small circle high above head.
shido
a small violation of the rules.
awasete chui
a second shido, that may make a chui.
jogai nakae
out of ring the first the first time, a shido. Referee: as in chui. Judge: taps flag at ringside floor. (aka jogai shido)
jogai chui
out of ring the second time, an awasete chui. Referee: as in chui. Judge: taps flag at ringside floor.
jogai hansoku
out of ring the third time, counts as a wazari for the non-offendor.
mubobi chui
warning for contestant acting without regard for safety, 1st offense or mild offense. This type of ruling is often just called out as hansoku chui. Referee: as in chui. Judge: swings flag of offender in small circle high above head.
mubobi hansoku
foul for contestant acting without regard for safety, 2nd offense or glaring offense. Counts as a wazari or a win for the non-offendor. This type of ruling is often just called out as hansoku. Referee: points finger at offender's head. Judge: swings flag of offender in large circle high above head.
hansoku chui
warning for behaviour forbidden by tournament rules, 1st offense or mild offense. Referee: as in chui. Judge: swings flag of offender in small circle high above head.
hansoku
foul for behaviour forbidden by tournament rules, 2nd offense or glaring offense. Counts as a wazari or a win for the non-offendor. Referee: points finger at offender's head. Judge: swings flag of offender in large circle high above head. (aka hansoku make) (aka keikoku)
enchosen
extension to the match
fusensho
forfeit
yame soremade
stop, the end of the match
hantei
decision. Referee: blow whistle lightly, then loudly quickly.
yuko
technique that is not as good as a waza ari
waza ari
an effective technique
wazari
half-point. Referee: swings hand from palm on opposite shoulder, towards the scoring contestants' knees. Judge: points flag, shoulder height, at the scoring opponent.
ippon
one-point. Referee: raises hand, on scoring opponent's side, from side to high above head. Judge: raises the flag of the scoring contestant to high above head.
awasete waza
combining the scores of two techniques so that they score as one.
awasete ippon
two wazari combined to score as ippon.
hikiwake
draw. Referee: drops hands from folded across chest to down on either side. Judge: raises flags above in an "x" shape.
aka (shiro) no kachi
red (white) wins. Referee: raises hand, palms forward, in direction over the winner's head.
shiro (aka) hansoku, aka (shiro) no kachi
white (red) fouls, thus red(white) wins. Referee: as in hansoku, then as in aka (shiro) no kachi.
shiro/aka kiken-niyori, aka/shiro no kachi
white/red forfeits, thus red/white wins. Referee: as in aka (shiro) no kachi.

School

yoroi kumiuchi
wrestling in armor
kempo
the collective unarmed martial arts (aka yawarra) (aka tai jutsu) (aka jiu jutsu)
karate
"empty hand," formerly "Chinese hand"; weaponless martial art of Okinawan-Japanese origin. Divided into non-competitive or competitive. The competive category is further
karateka
practicioner of karate
shoshinsha
initiate, the junior students
yudansha
the senior students
kyu
"boy," color belt, non-black belt
dan
"man," black belt
kyohai
those of lesser rank (aka kinteki)
kompai
those of roughly equivalent rank (aka doryo)
sempai
those of greater rank
shoshei
student
uchi deshi
resident student
sensei
"born before" "one who has gone before" the instructor (an honorific)
shihan
master
soke
leader, head
o sensei
most honorable instructor (reserved for founders and the like) (aka kancho)
Bodhidharma
(aka Daruma) (aka Ta Mo)
Azato Yatsune
Itosu Ankho
Funakoshi Gichin
of Shotokan
Higaonna Kanryo
of Goju ryu
Miyagi Chogun
of Goju ryu
Mabuni Kenwa
of Shito ryu
Ohtsuka Hironori
of Wado ryu
Oyama Masutasu
Nanbu Yoshinao
shihan kai
technical committee
tenshin sho
divine intervention in the generational passing of knowledge and tradition
dojo
place where an art is taught, a school
ryu
a school or style
shaolin
Buddist monastery in China (aka siu lum)
wushu
Chinese martial arts (aka kung fu)
nei chia
internal school of wushu, soft style. Eg: Pa Kua, tai chi chuan
wai chia
external school of wushu, hard style
to de
Okinawan martial art (aka Okinawa te) (aka tote)
naha te
school of to de, a shorei ryu
tomari te
school of to de, a shorin ryu
shuri te
school of to de, a shorin ryu
shotokan
"Reed Pen Club", founded by Funakoshi Gichin (Shoto was his pen name). The dominant style of karate. (aka karate)
goju ryu
"hard-soft school", a development from naha te founded by Miyagi Chojun, modified by Yamaguchi Gogen. Characterized by hara ki and kakate.
shorin ryu
"Flexible Pine School", the synthesis of tomari te and shuri te.
wado ryu
"the school of peace", founded by Ohtsuka Hironori. Characterized by quick and fast evasion, whip like attacks, and short stances.
shito ryu
founded by Mabuni Kenwa. Characterized by many katas and medium stances.
uechi ryu
founded by Uechi Kanbun.
shotokai
a non-competitive split from shotokan
kyokushinkai
founded by Oyama Mas. Characterized by knock down sparring, i.e. full contact without protective gear.
sato juku
Characterized by knock down sparring, i.e. full contact without protective gear.
rembu kai
Characterized by contact type sparring using protective equipment
daido juku
Characterized by contact type sparring using protective equipment
shukokai
sankukai
nanbudo
ishin ryu
kempo
empty handed martial art involving karate and throws
taikyokuken
a slow fluid style
shorinji kempo
founded by Doshin So, a vigorous style involving partners
nihon kempo
a style developed from jujutsu atemi waza (aka dai nippon kempo)
shiajo
match area. Ideally a square an 8 m square, with the 1 m wide contestant starting position lines being 3 m apart from each other. This square should be surrounded by a 2 m safety area.
tatami
floor mats
makiwara
striking post
nafuda
name tags
soji
clean up
junbi undo
warm up exercises
seiri undo
warm down exercises
hojo undo
supplementary exercises, conditioning
gasshuku
special training
kakie
sticky or pushing hands
yoi
readiness (aka junbi)
kio tsuke
attention
rei
salute
ritsurei
standing salute, back straight, around 30 degrees
zarei
kneeling salute, back straight, bowing low
rei san soku
"three breath bowing," inhale going down, exhale and pause at the bottom, and inhale coming up
seiza
kneeling-sitting with back straight, heels to buttocks. Go down left knee first. Stand up right leg first.
dojo kun
"school oath," standards of the school
hitotsu! jinkaku kansei ni tsutomuru koto
"One! Seek perfection of character," or "One! Character," or "One! We shall endeavor to build our character"
hitotsu! makoto no michi o mamoru koto
"One! Be faithful," or "One! Sincerity," or "One! We shall be faithul in our study"
hitotsu! doryoku no seishin o yashinau koto
"One! Endeavor," or "One! Effort," or "One! We shall cultivate courage and tenacity"
hitotsu! reigi o omonzuru koto
"One! Respect others," or "One! Etiquette," or "We shall attach great importance to etiquette"
hitotsu! kekki no yu o imahimuru koto
"One! Refrain from violent behaviour," or "One! Self-Control," or "One! We shall be wary of foolishness"
hai
yes, that's right
iie
no, that's wrong
dame
no good
ichi
one (aka shodan) (aka hitotsu)
ni
two
san
three
shi
four
go
five
rokku
six
shichi
seven
hachi
eight
ku
nine
ju
ten
ju-ichi
eleven
ni-ju
twenty
ni-ju-ichi
twenty-one
obi
belt, wrap around twice and be tie with a square knot. Usual tip length: 15 cm.
gi
uniform, must be clean and white. At least half of the buttocks, lower leg, and forearm should be covered. (aka dogi) (aka keiko-gi)
eri
collar, lapel
yoko eri
neck side of the lapel
mae eri
front of the lapel
sode
sleeve
nake sode
shoulder end of sleeve
sode guchi
cuff end of the sleeve
suso
pants leg
suso guchi
cuff end of the pants leg
suashi
bare feet
kakete
forearm toughening
shinsa
exam
tameshiwari
to test by breaking

The Way

do
the way
budo
the way of the warrior
bujitsu
martial or military techniques
bushi
warrior
zen
non-fixation
sei
tranquility, inactivity, state of reserve (aka tai)
do
movement, activity, state of activity (aka ken)
do-sei
alternating, inside-outside, mind-body (aka ken-tai)
yin yang
duality
dai
greater of a pair
sho
lesser of a pair
kara
empty; chinese
chikara
strength, esp physical
seishin
mind and spirit
shin
mind
zanshin
"Continuing mind." State of relaxed alertness, unbroken concentration, remaining mind, or awareness, automatic awareness, especially after a technique is executed.
mubobi
contestant fails to protect himself, a lack of zanshin.
mushin
no mind, undisturbed mind, nonanalytical thinking in uregent situations, a state of spontaneous response
fudoshin
immovable mind
mizu no kokoro
mind like water
zuki no kokoro
mind like the moon
kamaitte
action, usu. at the start of repititions
mokuso
meditation, contemplation
samadhi
total absorption
satori
ultimate knowledge, enlightenment
jin
benevolence
chi
wisdom
rei
propriety
yu
courage (aka tan)
gi
rigteousness
giri
a debt of gratitude
makoto
sincerity
meiyo
honor
shinto o mekkyaku sureba hi mo mata suzushi
"Even flames are cool for those who clear their minds of unnecessary thoughts."
manabite omowazareba sunawachi kurashi
"Books in themselves are of little value without reason."
michi ni oite wa shi o itowazu
"An expert fears not even death itself."
zengo saidan
"Rid yourself of the past and the future."
mizukara hikuu sureba tattoshi
"Respect comes to those who are meek."
chini ite ran wasurezu
"Remain ready for war even in times of peace."
mudu na waza no waste of technique
seiryoku zenyo
"Efficient use of energy." A judo phrase.
jita kyoei
"Advantage both for oneself and for others." A judo phrase.
ichi gan, no soku, san tan, shi riki
"Eyes first, footwork second, courage third, strength fourth." A kendo phrase.
shu ba ri
the three stages to mastery: (1) Learn and follow the rules and exercises. (2) Ignore the exercises and develop techniques that suit you. (3) Develop your own strategy in complete freedom.
enzan no metsuke
observe the metsuke (point or part of opponent being observed) as one would an enzan (distant mountain). A kendo phrase.
san sappo
the three ways to succeed in an attack: render ineffective his defence, surpass his technique, and smother his spirit. A kendo phrase.
shin tai waza
unity of spirt, body, and technique
skin ren, tai ren, chi ren
control the mind, achieve physical fitness, learn as mush as possible.
karate ni sentenashi
no first attack in karate
ko sho ittai
all defenses are attacks
kikioji micuzure futanren
the three fears that lead to defeat: (1) Fear because of the opponent's reputation. (2) Fear because the opponent looks wild and strong. (3) Fear because feeling inadequate in training and experience.
sessa takuma
cut the stone and polish the jewel
wa
karmic energy
ki
intrinsic energy, vitality
kihaku
spirit
kiai
shout that focuses ki and physical power
kime
focused finish, decisiveness
ikken hissats
to kill in one blow
hyoshi
rhythm, timing
kokyu
breathing
ibuki
controlled breathing
in
inaudible breathing
yoi
audible breahing
maai
distance
me no tsukekata
fixing the eyes
waza o hodokoso koki
the psychological moment of the technique execution
sen
initiative
sen no sen
seizing the initiative earlier; attack on one's own (aka ken no sen)
tai no sen
attack from kamai; tactics first and techniques second
yu no sen
attack during movement; techniques first and tactics second
ichibyoshi
to strike in one breath
ni no koshi no hyoshi
to strike in two beats
go no sen
seizing the initiative later; attack when the enemy attacks (aka tai no sen)
taitai no sen
seizing the initiative both earlier and later